Audio Editing in the Sequencer : Editing audio using the Inspector

Editing audio using the Inspector
The Inspector can be used for editing audio recordings numerically.
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Editing recordings and cuts in the Inspector
If you select a Comp Row, the three displays change to show the Recording Offset, Comp Row Level and Comp Row Transpose value:
If you select a Cut Handle in Comp Mode, two displays appear, showing the Cut Handle’s Position and Crossfade time:
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See “Inspector segment displays” for details on how to edit in the Inspector displays.
Editing multiple recordings or multiple cuts in the Inspector
When you edit values for several selected Comp Rows or objects (Cut Handles etc.), the changes will always be relative. For example, if you change the Recording Offset, Level or Transpose values when several Comp Rows are selected, the recordings will all be changed by the same amount; their relative values will be retained.
For Cut Handles, only Crossfade values can be matched - not the Positions. See “Matching audio values using the "Match Values" function”.
Matching audio values using the "Match Values" function
The Match Values buttons appear as ‘=’ signs.
The “Match Values” function in the Inspector can be used for matching Recording Offsets, Comp Row Levels and Transpose values of several selected Comp Rows to the offset/level/value of the topmost selected Comp Row. It can also be used for matching Cut Crossfade values of several selected Cut Handles to the Crossfade value of the Cut Handle with the earliest start position in the clip.
The “Match Values” function can also be used for matching the following parameters of several selected notes in Pitch Edit mode: Note, Fine-tune, Drift, Preserve Expression, Transition, Formant and Level. See “Audio pitch editing in the Inspector” for more info.
Matching Recording Offsets
Matching Recording Offsets is useful if you want to make sure that the Recordings on multiple Comp Rows start at the exact same position.
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Three selected Comp Rows (the three topmost).
The topmost Comp Row has the Recording Offset set to 2 beats.
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The Recording Offsets on all selected Comp Rows have now been moved to 2 beats.
The Recording Offsets of the recordings on the three topmost Comp Rows have been moved to 2 beats.
Matching Comp Row Levels
Here’s an example showing how to match Comp Row Levels:
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The Levels on the three selected Comp Rows are matched and adjusted to -19.90 dB.
Matching Comp Row Transpose values
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The transposition is matched to the Transpose value of the topmost selected Comp Row.
Matching Cut Crossfades
Matching Cut Crossfades is a time-saving function if you want to apply the same Crossfade times to several Cuts throughout the clip. If you want to eliminate any clicks between segments in your comped clip, you could apply a Cut Crossfade to the first Cut and then match the other Cuts to get the same Crossfade times in one go:
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The Crossfades of the selected Cuts are matched and adjusted to the Crossfade times of the earliest selected Cut.

Audio Editing in the Sequencer : Editing audio using the Inspector