The BV512 is an advanced vocoder device with a variable number of filter bands. It also has a unique 1024-point FFT vocoding mode (equivalent of 512-band vocoding) for very precise and high quality vocoded speech. By connecting the BV512 to two instrument devices, you can produce anything from vocoded speech, singing or drums to weird special effects.
Even if you have worked with a vocoder before, please read the following section. Knowing the basic terms and processes will make it much easier to get started with the BV512!
A vocoder accepts two different input signals, a “carrier” and a “modulator”. It analyzes the modulator signal, applies its frequency characteristics to the carrier signal and outputs the resulting “modulated” carrier signal.
In the most typical case, the carrier signal is a string or pad sound and the modulator signal is speech or vocals - the result will be a talking or singing synth sound. The modulator could also be drums or percussion (for rhythmically modulated sounds and effects) or any sound with changing frequency content.
Technically, a vocoder works in the following way: The modulator signal is divided into a number of frequency bands by means of bandpass filters (called the “modulator filters” or “analyzing filters”). The signal in each of these bands is sent to a separate envelope follower (which continuously analyzes the level of the signal). The carrier signal is sent through the same number of bandpass filters (the “carrier filters”), with the same frequency ranges as the filters for the modulator signal. The gain of each bandpass filter is controlled by the level from the corresponding envelope follower, and the filtered signals are combined and sent to the vocoder’s output.
In this way, the carrier is filtered to have roughly the same frequency characteristics as the modulator. If the modulator signal has a lot of energy in one of the frequency bands, the gain of the corresponding filter band for the carrier signal will be high as well, emphasizing those frequencies in the output signal. If there is no signal at all within a frequency band in the modulator signal, the corresponding band in the output signal will be silent (as the gain will be zero for that filter).
There are several factors determining the quality of the vocoder sound, but the most important is the number of filter bands. The larger the number of filter bands, the closer will the output signal follow the modulator’s frequency characteristics. The BV512 offers 4, 8, 16 or 32-band vocoding.
|
Even if a high number of bands will make the sound more precise and intelligible, this isn’t always what’s desired! Vocoding with a lower number of bands can give results that sound different, fit better in a musical context, etc.
|
The BV512 has an additional FFT mode, in which the vocoding process isn’t based on bandpass filters as described above. Instead, FFT (Fast Fourier Transform) analysis and processing is used. This equals 512 “conventional” frequency bands and results in a very precise and detailed vocoder sound. Note:
It is not so well suited for vocoding drums and percussion, since the FFT process is inherently “slower” than the regular filtering and doesn’t respond as quickly to transients, and also there will be a slight delay added to the signal (in the region of 20ms). A workaround solution to this would be to move the modulator signal slightly ahead to compensate for the delay.
|
•
|
Where the conventional filter bands are distributed logarithmically (i.e. the same number of filter bands per octave), the 512 bands in the FFT mode are distributed linearly.
|
This means a lot of the bands will be in the high frequency range - this is one of the reasons for the clear sound but it is also something to keep in mind when making settings for the vocoder in FFT mode.