The Master Section is where all your audio track and mix channels are mixed down to the Master Out bus. The Master strip contains a compressor and a Master Insert section which both process the master bus, as well as send/return master level sections. Any processing applied to the master bus affects all channels in the mixer.The Master Compressor is perfect for providing the final “fairy dust” to your mix. It can add punch and cohesion, and generally make the mix sound bigger and more powerful. The compressor is very straightforward in operation and features make-up gain as well as program-adaptive Release.
| Range
This sets the level at which onset of compression occurs. The lower the Threshold, the more compression will be applied.
Ratio specifies the amount of gain reduction applied to signal levels above the set threshold. A 2:1 compression ratio effectively means that a signal level 2dB above threshold will have a signal gain of 1dB.
Fixed Ratios:
2:1 / 4:1 / 10:1
Fixed settings (in ms):
0.1 / 0.3 / 1 / 3 / 10 / 30
When the signal level drops below the set threshold, this determines how long it takes before the compressor lets the sound through unaffected.
If set to “Auto”, the Release time will be program adaptive, so if longer peaks occur the Release time is automatically increased.
Make-Up gain compensates for level reduction caused by compression and helps maintain a steady output level. The Master Section Inserts is identical to the Insert FX section in the channel strips, except that it affects the master bus, i.e. the whole mix. You can load Combinator effect patches, which can include anything from a single device to a complex array of multiple devices to process the master bus.The Master Insert effects are placed after the Master Compressor in the signal path. This makes sense, as you usually add a Maximizer or Mastering Combi patch as a Master Insert effect, and this must be last in the signal path to avoid clipping on the output.
• See “Insert FX” for descriptions of how to work with Insert effects.
This section controls the master levels of the FX Returns. Send effect devices are connected to the Master Section via the 4 FX Send and 4 FX Return connectors on the back of the rack device. See “Send FX” for a description of Send FX.
This automatically shows the name of the connected effect device. If you enter a new name for the label, this overrides the automatic naming. Deleting a manually entered name will bring back the automatic naming.
Adjusts the FX Return master level. The master return levels are normally left at default 0dB. if you wish to increase/decrease the effect balance, this is best done by increasing/decreasing the send levels for the individual channels using the effect. You can, however, use the FX Return level to change the overall balance of a send effect in the mix.