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About this chapter

About this manual

About the Reason operating system versions

Conventions in the manual

The Authorization system

Managing additional content

Reassigning the Function Keys in Mac OS X

About automatic program updates

Common Operations and Concepts

Areas, windows and basic navigation

General window techniques

Editing parameters

On-screen Piano Keys

Using the On-screen Piano Keys

How Reason communicates with your audio hardware

System signal paths

General information about audio and computers

Sequencer Functions

Sequencer area overview

Toolbar details

Transport Panel details

About the Inspector

Recording in the Sequencer

General recording functions

Audio recording details

Note recording details

Parameter automation recording details

Pattern automation recording details

Tempo automation recording

Arranging in the Sequencer

Audio Editing in the Sequencer

Edit Modes, Stretch & Transpose Types and Clip Types

Editing audio in Slice Edit mode

Editing audio in Pitch Edit mode

Editing audio in the Comp Editor

Common audio editing functions

Changing the tempo and transposition of the audio

Audio and tempo matching

Editing audio using the Inspector

Note and Automation Editing

Tool Window editing tools

Multi Lanes editing

Automation editing

Note and automation editing in the Inspector

Working with Blocks in the Sequencer

Arrangement Views

Editing Blocks in the Block View

Arranging Blocks in the Song View

Working with the Rack

Rack device procedures

Working with Players

Scales & Chords

Working with Rack Extensions

What are Rack Extensions?

Trying and buying Rack Extensions

Installing and managing Rack Extensions

Using Rack Extensions in Reason

Working with VST Plugins

About VST plugins

Installing and enabling VST plugins

Using VST plugins in Reason

The Plugin Rack Device

Managing VST plugins

Sounds, Patches and the Browser

Using the Browser

Routing Audio and CV

Automatic routing

Using CV and Gate

Navigating in the Main Mixer

Managing mixer channels

The channel strip

The Master Section strip

Automating mixer parameters

Working with effects

Parallel Channels

Solo, Mute and Send FX logic

Remote controlling the Main Mixer

Advanced routing tips and tricks

Delay Compensation

About Delay Compensation in Reason

How the Delay Compensation works

Song File Handling

Audio data and Scratch Disk settings

Importing and exporting Standard MIDI Files

Importing and Exporting Audio

Importing audio

Exporting audio

General sampling functions

Editing samples

Sample management

The ReGroove Mixer

The ReGroove Mixer

Groove Settings

Working with grooves

Groovy tips & tricks

ReGroove patches in the Factory Sounds bank

Remote - Playing and Controlling Devices

Locking a surface to a device

Remote Override

Additional Remote Overrides...

Keyboard Control

Saving Remote Setups

Why use Reason with ReWire?

Introducing ReWire!

How does it work?

Launching and quitting applications

Using the Transport and Tempo controls

Routing MIDI via ReWire 2

Converting ReWire channels to audio tracks

Synchronization and Advanced MIDI

Synchronization to MIDI Clock

Synchronization using Ableton Link

Advanced MIDI - The External Control Bus inputs

Optimizing Performance

Optimization and latency reduction

Optimizing your computer system

Optimizing Songs

RAM requirements

Hardware Interface

Sampling Input section

Advanced MIDI Device

Kong Drum Designer

About file formats

The Drum and FX section

The Drum modules

The Support Generator modules

Using Kong as an effect device

Using external effects with Kong

Redrum Drum Computer

Sampling in Redrum

About file formats

Programming patterns

Redrum parameters

Using Redrum as a sound module

Dr. Octo Rex Loop Player

About REX file formats

Loading and saving Dr. Octo Rex patches

Playing individual Loop Slices

Creating sequencer notes

Dr. Octo Rex panel parameters

Dr. Octo Rex synth parameters

Europa Shapeshifting Synthesizer

Playing and using Europa

Panel reference

Tips and Tricks

Grain Sample Manipulator

Playing and using Grain

Panel reference

Tips and Tricks

Thor Polysonic Synthesizer

The Controller panel

Using the Programmer

Modulation bus routing section

Subtractor Synthesizer

The Oscillator Section

The Filter Section

Envelopes - General

Play Parameters

External Modulation

Malström Synthesizer

The Oscillator section

The Modulator section

The Filter section

The play controls

Routing external audio to the filters

ID8 Instrument Device

Using Radical Piano

Additional external control

Klang Tuned Percussion

Global performance and “play” controls

Pangea World Instruments

Global performance and “play” controls

Humana Vocal Ensemble

Global performance and “play” controls

Sampling in NN-XT

Loading complete Patches and REX files

Using the main panel

Overview of the Remote Editor panel

About Samples and Zones

Selections and Edit Focus

Adjusting parameters

Managing Zones and Samples

Working with Grouping

Working with Key Ranges

Setting Root Notes and Tuning

Layered, crossfaded and velocity switched sounds

Using Alternate

Sample parameters

Group parameters

Synth parameters

General sampling principles

About audio file formats

Sampling in NN-19

About Key Zones and samples

Automap Samples

NN-19 synth parameters

Play Parameters

External MIDI Instrument

Using the External MIDI Instrument

Modulation inputs and outputs

Demolition tips and tricks

The Breakout Jacks

Tips and Tricks

Alligator Triple Filtered Gate

Overview and signal flow

Audio connections

The built-in patterns

Methods and Tips

Audiomatic Retro Transformer

Using Audiomatic Retro Transformer

Using the Softube Amps

SynchronousTimed Effect Modulator

Using Synchronous

Panel reference

About automation of display section parameters

Scream 4 Sound Destruction Unit

Setting up for basic vocoding

Using the BV512 as an equalizer

BV512 parameters

Tips and tricks

RV7000 Mk II Advanced Reverb

Reverb algorithms and parameters

The Gate section

Neptune Pitch Adjuster and Voice Synth

Overview and basic concepts

Setting up for pitch processing

Using pitch correction

Using pitch shifting (Transpose)

Using Formant control

Using the Voice Synth

Panel parameters

Pitch adjustment tips and tricks

The MClass Effects

The MClass Equalizer

The MClass Stereo Imager

The MClass Compressor

The MClass Maximizer

Half-Rack Effects

DDL-1 Digital Delay Line

CF-101 Chorus/Flanger

Spider Audio Merger & Splitter

Spider CV Merger & Splitter

RV-7 Digital Reverb

D-11 Foldback Distortion

ECF-42 Envelope Controlled Filter

COMP-01 Auto Make-up Gain Compressor

PEQ-2 Two Band Parametric EQ

Creating Combinator devices

Combinator elements

About internal and external connections

Adding devices to a Combi

Sequencer tracks and playing Combis

The Controller panel

Using the Programmer

Pulsar Dual LFO

Panel parameters

Modulation inputs and outputs

Tips and Tricks

RPG-8 Arpeggiator

Using the RPG-8

RPG-8 Parameters

Tips and tricks

Matrix Pattern Sequencer

Programming patterns

The Channel Strip

The Mixer signal flow

About the EQ modes

The Auxiliary Return Section

The Master Fader

Chaining several Mixer 14:2 devices

The Line Mixer 6:2

Channel parameters

The Auxiliary Return section

Menu and Dialog Reference

Window menu (Windows version)

Window menu (Mac OS X version)